Jane Austen's Bookshelf

 Jane Austen's Bookshelf: A Rare Book Collector's Quest to Find the Women Writers Who Shaped a Legend- Rebecca Romney

 Simon & Schuster

Release Date: February 18, 2025

Rating: 📚📚📚📚📚

Synopsis: Long before she was a rare book dealer, Rebecca Romney was a devoted reader of Jane Austen. She loved that Austen’s books took the lives of women seriously, explored relationships with wit and confidence, and always, allowed for the possibility of a happy ending. She read and reread them, often wishing Austen wrote just one more.

But Austen wasn’t a lone genius. She wrote at a time of great experimentation for women writers—and clues about those women, and the exceptional books they wrote, are sprinkled like breadcrumbs throughout Austen’s work. Every character in Northanger Abbey who isn’t a boor sings the praises of Ann Radcliffe. The play that causes such a stir in Mansfield Park is a real one by the playwright Elizabeth Inchbald. In fact, the phrase “pride and prejudice” came from Frances Burney’s second novel Cecilia. The women that populated Jane Austen’s bookshelf profoundly influenced her work; Austen looked up to them, passionately discussed their books with her friends, and used an appreciation of their books as a litmus test for whether someone had good taste. So where had these women gone? Why hadn’t Romney—despite her training—ever read them? Or, in some cases, even heard of them? And why were they no longer embraced as part of the wider literary canon?

Jane Austen’s Bookshelf investigates the disappearance of Austen’s heroes—women writers who were erased from the Western canon—to reveal who they were, what they meant to Austen, and how they were forgotten. Each chapter profiles a different writer including Frances Burney, Ann Radcliffe, Charlotte Lennox, Charlotte Smith, Hannah More, Elizabeth Inchbald, Hester Lynch Thrale Piozzi, and Maria Edgeworth—and recounts Romney’s experience reading them, finding rare copies of their works, and drawing on connections between their words and Austen’s. Romney collects the once-famed works of these forgotten writers, physically recreating Austen’s bookshelf and making a convincing case for why these books should be placed back on the to-be-read pile of all book lovers today. Jane Austen’s Bookshelf will encourage you to look beyond assigned reading lists, question who decides what belongs there, and build your very own collection of favorite novels.

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What is a classic and how does it become one? We can probably all name some "classic novels", maybe even some "great American novels", even if we've never read them. And almost all of the early ones will have been written by men, with the undisputed exception of Jane Austen. 

Jane Austen's Bookshelf explores the authors Austen herself enjoyed reading, and the ones who influenced her own writing: Frances Burney, Ann Radcliffe, Charlotte Lennox, Charlotte Smith, Hannah More, Elizabeth Inchbald, Hester Lynch Thrale Piozzi, and Maria Edgeworth specifically. These authors are mentioned in Austen's letters and novels, they were among the best sellers of her day. Author Rebecca Romney takes us on two adventures: she explores the lives of each of these remarkable women- their lives, their triumphs, tragedies, and how they came to fall from best selling author status off of the canon of "must-read English authors"; Romney also takes us on her modern journey of discovering these authors herself. 

As a rare book seller and a lover of Jane Austen books, Romney wanted to read the books Austen read and find out what she enjoyed reading. Did they stand up to the test of time or did they deserve their fall off their pedestals as brilliant writers? As much as I enjoyed the biographies Romney crafted of the writers themselves, I enjoyed her discoveries of these women, their lives, their books, and their reinterpretations over the centuries possibly more. Her descriptions of finding the copies of the rare book edition that speaks to her for her own collection, her discoveries of her own particular prides and prejudices towards certain kind of books and how she changes her thinking, and the books themselves, are all wonderful.

Romney makes sure Jane Austen's Bookshelf is never a dull read. If you decide after reading this to add Burney, Lennox, and any of the other women's works (and their biographies) to your TBR piles like I have, Romney includes a wonderfully helpful appendix "Selected Books from the Jane Austen Bookshelf" to get you started.

Not a daunting, scholarly work, but readers who enjoyed Devoney Looser's Sister Novelists or Ramie Targoff's Shakespear's Sisters and the forgotten- or purposely overlooked- women writers  will enjoy Rebecca Romney's Jane Austen's Bookshelf for many of the same reasons.

I received a DRC of this book from NetGalley in exchange for an honest review

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Shakespeare's Sisters

 

Shakespeare's Sisters: How Women Wrote the Renaissance- Ramie Targoff

Knopf

Release Date: March 12, 2024

Rating: 📚📚📚📚📚

Synopsis: This remarkable work about women writers in the English Renaissance explodes our notion of the Shakespearean period by drawing us into the lives of four women who were committed to their craft long before there was any possibility of “a room of one’s own.”

In an innovative and engaging narrative of everyday life in Shakespeare’s England, Ramie Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-sixteenth century into the private lives of four women writers working at a time when women were legally the property of men. Some readers may have heard of Mary Sidney, accomplished poet and sister of the famous Sir Philip Sidney, but few will have heard of Aemilia Lanyer, the first woman in the seventeenth century to publish a book of original poetry, which offered a feminist take on the crucifixion, or Elizabeth Cary, who published the first original play by a woman, about the plight of the Jewish princess Mariam. Then there was Anne Clifford, a lifelong diarist who fought for decades against a patriarchy that tried to rob her of her land in one of England’s most infamous inheritance battles. These women had husbands and children to care for and little support for their art, yet against all odds they defined themselves as writers, finding rooms of their own where doors had been shut for centuries. Targoff flings those doors open, revealing the treasures left by these extraordinary women; in the process, she helps us see the Renaissance in a fresh light, creating a richer understanding of history and offering a much-needed female perspective on life in Shakespeare’s day.

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If you're looking for an introduction to the world of Renaissance England through women's eyes and how they worked to make their voices heard through writing- look no further than Shakespeare's Sisters by Ramie Targoff. She takes the long-held belief that Tudor women didn't read, didn't write, and certainly weren't anything but meek and mild wives and daughters and throws it out the window. 

Queen Elizabeth might not have been trying to break the glass ceiling for women, but that doesn't mean other women weren't looking for ways to express themselves. Mary Sidney is someone readers might have heard of- at least because her brother was famous. She took that and ran with it, adding translations and poems of her own to published works of his (some that she only recently got credit for!). Aemilia Lanyer was the first woman to publish a book of original poetry in the 17th century, and she did it while worrying about money for her family because she wasn't nobly born! She made it more shocking by writing a feminist take on the crucifixion- including a poem from the point of view of the wife of Pontius Pilate arguing that if he condemned Christ he is basically erasing Eve's original sin and women are no longer the 'lesser sex'. Elizabeth Carey was the first woman to publish an original play, a feminist take on the Jewish princess Mariam. Anne Clifford is probably the first woman diarist who also wrote down her life and her family's history, all while fighting 40 years of legal battles for her inheritance.

Each of these women were ahead of their time in so many ways, determined to live life as they wanted to. This incredibly well-written and well-researched book gives them back their voices and introduces us to women we may not have known before, but will now definitely want to know more about. The book is designed to tell us more about their lives than to be literary analyses, but at the end we get a great chapter on why their writing is so rarely taught, where we can find their books, and other Renaissance women we might want to read. 

I absolutely recommend Shakespeare's Sisters to anyone interested in Tudor England and English literature, or the increasing discoveries of women's lives throughout history, some of which are only recently being brought back into the light.

I received an ARC of this book from NetGalley in exchange for an honest review