Mad and Bad

Mad and Bad: Real Heroines of the Regency- Bea Koch
Grand Central Publishing
Release Date: September 1, 2020

Rating:
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Synopsis:  Regency England is a world immortalized by Jane Austen and Lord Byron in their beloved novels and poems. The popular image of the Regency continues to be mythologized by the hundreds of romance novels set in the period, which focus almost exclusively on wealthy, white, Christian members of the upper classes.

But there are hundreds of fascinating women who don't fit history books limited perception of what was historically accurate for early 19th century England. Women like Dido Elizabeth Belle, whose mother was a slave but was raised by her white father's family in England, Caroline Herschel, who acted as her brother's assistant as he hunted the heavens for comets, and ended up discovering eight on her own, Anne Lister, who lived on her own terms with her common-law wife at Shibden Hall, and Judith Montefiore, a Jewish woman who wrote the first English language Kosher cookbook.

As one of the owners of the successful romance-only bookstore The Ripped Bodice, Bea Koch has had a front row seat to controversies surrounding what is accepted as "historically accurate" for the wildly popular Regency period. Following in the popular footsteps of books like Ann Shen's Bad Girls Throughout History, Koch takes the Regency, one of the most loved and idealized historical time periods and a huge inspiration for American pop culture, and reveals the independent-minded, standard-breaking real historical women who lived life on their terms. She also examines broader questions of culture in chapters that focus on the LGBTQ and Jewish communities, the lives of women of color in the Regency, and women who broke barriers in fields like astronomy and paleontology. In Mad and Bad, we look beyond popular perception of the Regency into the even more vibrant, diverse, and fascinating historical truth.

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When we think of the phrase "mad, bad, and dangerous to know" we think (of course) of Lord Byron and the men like him: dangerous rakes who could seduce a woman with a glance.  But in Mad and Bad: Real Heroines of the Regency, author Bea Koch turns this idea on its head by examining Regency England through the women who did't meet the stereotype of a demure Regency miss.  Koch refutes critics who bash Regency romances, claiming the historic time period is window dressing for stories with far too 'modern' heroines, by introducing us to real Regency heroines, from Lady Jersey and Caroline Lamb to DIdo Elizabeth Belle and Caroline Herschel.

Among the contradictory aspects of the Regency, sex and decorum are at the top of the list. So it is only natural that Koch starts Mad and Bad with some of the real "bad girls" of the era- women who pushed against Society's rules to be influential mistresses of royalty or highly placed politicians.  Any reader of Regency romance knows Almack's Assemblies and the strict and starchy Patronesses who ruled Polite Society.  But Koch gives us the behind-the-scenes stories of their affairs and intrigues that would shock any debutante.  How many Patronesses slept with the Prince Regent?  Or with each other's husbands? Who really ruled the ambassadorial home (and work) of Count and Princess Lieven?

Once she has hooked you with sex, Koch introduces us to women who might not be shocking by today's standards, but certainly didn't fit the stereotypical Regency mold.  Artists, authors, and actresses the reader may know by name are fleshed out into real people following their muse.  Female scientists, astronomers, and geologists struggle to be recognized in a man's world.  Today we think of movies or books that add LGBTQ and non-white characters as being "politically correct"- Koch introduces us to famous, infamous, and relatively unknown, but true life, LGBTQ and non-white people living in Regency England. Koch looks past the scandalous reputations women like Caroline Lamb have to try and find the real woman behind the myth, to put them in context of the times, and to show us the networks of women (and sometimes men) who supported them.    

The writing style of Mad and Bad is relaxed and informal, the people are introduced in relatively short pieces, as the book itself is not designed to be in-depth biographies.  Instead, it is an introduction to a world many readers might not have known even existed, and an introduction to the people who may become the forefront of history as we ask new questions about the "real" Regency England.  Koch provides the reader with plenty of 'recommended reading' and bibliographies to access more in-depth histories of any of the individuals who particularly grasp your attention, and I know my own "to read" list about doubled because of this!  My only complaint was the tendency towards repetition, a little more editing would have pushed this review from 4 to 5 stars easily.

An excellent introduction to a few of the strong women of Regency England who helped pave the way for women to this day.

I received an ARC of this book from NetGalley in exchange for an honest review

Lady Romeo

Lady Romeo: The Radical and Revolutionary Life of Charlotte Cushman, America's First Celebrity- Tana Wojczuk  
Avid Reader/Simon & Schuster
Release Date: July 7, 2020

Rating:
📚📚📚

Synopsis: From the very beginning, she was a radical. At age nineteen, Charlotte Cushman, America’s beloved actress and the country’s first true celebrity, left her life—and countless suitors—behind to make it as a Shakespearean actress. After revolutionizing the role of Lady Macbeth in front of many adoring fans, she went on the road, performing in cities across a dividing America and building her fame. She was everywhere. And yet, her name has faded in the shadows of history.

Now, for the first time in decades, Cushman’s story comes to full and brilliant life in this definitive, exhilarating, and enlightening biography of the 19th-century icon. With rarely seen letters, Wojczuk reconstructs the formative years of Cushman’s life, set against the excitement and drama of New York City in the 1800s, featuring a cast of luminaries and revolutionaries that changed the cultural landscape of America forever.

A vivid portrait of an astonishing and uniquely American life, Lady Romeo reveals one of the most remarkable women in United States history, and restores her to the center stage where she belongs.

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The story of a little known, but pioneering actress, Lady Romeo introduces the reader to Charlotte Cushman- perhaps the greatest actress of her age and a woman who proved to the world that America was ready to embrace culture, theater, and especially Shakespeare.  Her triumphs and setbacks built Charlotte into a strong and determined woman- determined to provide for her family, determined to prove her own talent, and determined to prove America's cultural place in the world.  She befriended politicians and authors, actors and sculptors, and helped support other women in their professions.  Described here by Tana Wojczuk as America's first celebrity, Charlotte Cushman also had to learn to balance her public and private lives.  Especially when she was young, Charlotte worried about the effect on her American career if it was discovered that she had married another woman.  But in Europe as a leading actress her relationships with women and tendency to wear men's clothes were less remarked on.

I loved learning about the enterprising, determined, and pioneering Charlotte Cushman.  Wojczuk is at her best when writing about Charlotte's time on stage, bringing to life Shakespeare's Lady Macbeth or Romeo.  At these times Charlotte herself comes to life, much as she breathed life into her characters.  Wojczuk describes how Cushman left an entire generation of women (including Louisa May Alcott) star-struck; redefined Romeo and reintroduced the original Shakespearean text of Romeo and Juliet to English audiences; and broke restricting 19th-century gender roles on both sides of the ocean.

 I would have enjoyed a deeper exploration of Cushman's inner life- her emotions and thoughts, her family, and her romantic relationships- instead of the often flat or surface look we get here.  Lady Romeo is often so fast-paced that it feels like we've skipped years of Cushman's life and development.  At other times repetition or time-period hopping take away some of the emotional impact of scenes like Cushman's final performance- beautifully written and detailed but put in the beginning of the book, before we get to know Cushman, and then ignored completely at the end when it might have had an even larger emotional impact.  The people around Charlotte had no life to them, we get no real idea why Charlotte loved someone, what attracted her to a person (platonically or romantically).  Whether this is because there wasn't anything in the resources used to flesh out the people, or often Charlotte herself,  is impossible to say. But Lady Romeo definitely left me wanting to know more about Charlotte and her world- how she fit into it and how she changed it to fit her.

I received an ARC of this book from NetGalley in exchange for an honest review